The day after I found out on Facebook that Essra Mohawk died I listened to one of her songs, I Am The Breeze, over and over on Youtube.
I am the breeze,
I can go anywhere.
It was hypnotic. I try to focus on reality these days, since I have to, but I couldn't help but be drawn back in memory to that night nearly fifty years ago the Essra played at John and Peter's Place in New Hope.
I was the bartender, and there was a buzz to the place I had never experienced before. The true hippie rock goddess of the time, for that's what she was, was going to play in New Hope. For the first hours of my shift her piano sat center-stage under the light, its bench empty but holding out hope of her arrival from the clouds. Her fans from out-of-town showed up and filled the small, dark, cramped room. It was one of the quietest crowd I had ever seen in there.
I had spent time in the Philly rock scene, where she grew into her legend, but I had never seen her perform. I went to college at Temple with John Oates of Hall and Oates, where we both majored in journalism. I hung out with John on campus and went to his gigs. I loved Nazz with Todd Rundgen, and Randy Monaco of Mandrake Memorial was in a band I worked with for a short time after Mandrake broke up.
None of those guys had the artistic reputation that Essra did. She was as hippie-authentic as they come, her lyrics poetic and her performances mesmerizing and trippy. I loved those old Philly bands I watched in those days, but Essra was up in rock heaven above them long before she passed away.
Dreaming of you
And being the breeze.
Shortly before she was to come on, Peter Price, the Peter of John and Peter's, came up to me and gave me some instructions respecting Essra's appearance.
"Just leave the cash drawer on the register open," he said. "Don't ring anything up. Just put the money in and leave the drawer open."
In those days of ancient hands-on commerce, the cash registers required that you punch in the drink total manually, hit a return button and a small bell would ring and the cash drawer would open. You'd calculate change in your head and give it to the customer after that sweet tinkling of a money-making transaction.
It was that bell and the jangling of change that Peter didn't want ruining Essra's performance.
She came down from the clouds (of smoke) on the second floor and out the door that opened onto the stage opposite from where I stood and went directly to the piano and sat down. All was quiet. If I had made a sale then and opened the cash drawer to ring its tiny bell, it would have sounded like Quisimodo was roping the bells of Notre Dame over Paris. The awed silence was that great. She was slender and shapely, with long straight light hair and a thin face that concentrated only on the piano before her. She looked like anybody, but would prove to be beautiful.
From the moment her fingers touched the keyboard, I knew Essra was everything she was depicted as in Philly rock legend. I had one of the best seats in the house, despite the fact I was standing about six feet from her. Her playing was powerful and her voice rose almost to screaming, with tender inflections and the holy expressiveness of poetry. I was transfixed. I couldn't have opened the register or poured a drink if my job depended on it. She grabbed me with her soul by the soul. She grabbed everyone by the soul from her soul for song after song. This is how a goddess transfixed her believers, I thought. Those who sat in the dark room as dimly lighted faces only where as I was, unwilling to move and partially paralyzed by the wonder of her playing and singing. Peter never had to worry about the cash register's bell disturbing her. For song after song, those rocking and powerful and those quieter and sensitive and poetic, the audience watched her in awed silence. It was power and poetry. I didn't sell a single drink during her performance.
Then it was over far too soon. She went back upstairs to the second-floor heaven with Peter.
I was stunned. The audience was stunned. This wasn't the usual down-and-dirty rock performance John and Peter's normally presented. It was an artistic realization dressed up in rock and roll garb. It was real art.
Maybe this sounds over-the-top to you. Maybe it sounds like the warped creepy memory of a broken-hearted ancient fan, and not true. Take this as you will. I can only say in my mind this was the greatest performance I have ever seen at John and Peter's. I loved Essra from that night forward.
Don't get me wrong. I barely knew her. She and Peter became an item, so she was often in the place, until that ended. She played there several more times, although it was never the same. The audience turned trashy on her. The second time she played, I sold plenty of drinks, and some people ignored her performance, which suffered for it. The last time she played there, it was awful. The audience was completely disrespectful, talking loudly and drunkenly screaming. Her voice was shot. Someone told me later that she destroyed her vocal cords with coke and had to have an operation to remove the nodes on them.
She continued to make wonderful rock throughout her life.
The friends she made that night still love her. They know she never lost her authenticity and artistic nature and hippie soul. It a world where peace, love and kindness can flower for only a short time, her spirit never lost them, and her art still testifies to that, as do those who remember her.
And now you know what her first night playing at John and Peter's was like. And now you know why I had to write this and why I felt a little wrecked when I heard this person I barely knew died.
I am the breeze,
I can go anywhere.
Now she really can.















